A History Of Film Exhibition And Reception In Colonial Hong Kong: 1897 To 1925
Displaying 1 - 20 of 20
1
Newspaper Source: South China Morning Post
Publication Date: 1922-11-15 - 1922-11-15
Summary:

Today at 5.15 and 9.15 p.m., William Fox presents William Farnum in 'His Greatest Sacrifice' in 7 parts. 2.30 and 7.15 p.m., Charles Hutchison in 'Hurricane Hutch' episodes 1 and 2. Usual prices. Booking at the theatre.

2
Newspaper Source: South China Morning Post
Publication Date: 1922-11-17 - 1922-11-18
Summary:

Friday and Saturday at 5.15 and 9.15 p.m., William Farnum in 'His Greatest Sacrifice.' 2.30 and 7.15 p.m., Charles Hutchison and Warner Oland in 'Hurricane Hutch' episodes 3 and 4. Prices as usual. Booking at the theatre.

3
Newspaper Source: South China Morning Post
Publication Date: 1922-11-20 - 1922-11-21
Summary:

Monday and Tuesday at 5.15 and 9.15 p.m., William Fox presents Tom Mix in 'After Your Own Heart.' 2.30 and 7.15 p.m., Charles Hutchison and Warner Oland in 'Hurricane Hutch' episodes 3 and 4. Prices as usual. Booking at the theatre.

4
Newspaper Source: South China Morning Post
Publication Date: 1922-11-22 - 1922-11-25
Summary:

5.15 and 9.15 p.m., William Russell in 'Eastward Ho!', pictured from the novel by the well-known author, William M. Raine, a William Fox production. 2.30 and 7.15 p.m., Charles Hutchison in 'Hurricane Hutch.' Tuesday to Thursday, episodes 5 and 6; Friday to Monday, episodes 7…

5
Newspaper Source: South China Morning Post
Publication Date: 1922-11-27 - 1922-11-27
Summary:

5.15 and 9.15 p.m., Realart Pictures presents Wanda Hawley in 'The Outside Woman.' 2.30 p.m., 'Hurricane Hutch' episodes 7 and 8. 7.15 p.m., William Farnum in 'His Greatest Sacrifice.' Prices as usual. Booking at the theatre.

6
Newspaper Source: South China Morning Post
Publication Date: 1922-11-28 - 1922-11-28
Summary:

Last time of screening, 'The Outside Woman' starring Wanda Hawley. 2.30 and 7.15 p.m., 'Hurricane Hutch' episodes 9 and 10. Prices as usual. Booking at the theatre.

7
Newspaper Source: South China Morning Post
Publication Date: 1922-11-29 - 1922-12-02
Summary:

5.15 and 9.15 p.m., Samuel Goldwyn presents Geraldine Farrar in 'The World and Its Woman,' in 7 parts. 2.30 and 7.15 p.m., 'Hurricane Hutch' episodes 9 and 10. Prices as usual. Booking at the theatre.

9
Newspaper Source: South China Morning Post
Publication Date: 1924-11-06 - 1924-11-06
Summary:

Reveille' cannot be explained in the conventional terms of film entertainment—it beggars description in the application of ordinary standards. Because it is not a film-drama, nor a film comedy, nor a film plot—it is life itself.

10
Newspaper Source: South China Morning Post
Publication Date: 1924-11-07 - 1924-11-07
Summary:

Betty Balfour, the adorable little British star will be seen on Armistice Day at both the Coronet and the Star. At the Coronet she appears in a lively comedy of love, business and electioneering, 'Squibs M. P.' At the Star she will be seen in 'Reveille,' a story of war and…

11
Newspaper Source: South China Morning Post
Publication Date: 1924-11-08 - 1924-11-08
Summary:

Under the distinguished patronage of his excellency, the governor, British Film Week will be held from November 11th to 17th when the following British films will be screened: 'Squibs M. P.'; 'The Harbour Lights'; 'Son of Kissing Cup'; 'Hutch Stirs ‘em Up…

12
Newspaper Source: South China Morning Post
Publication Date: 1924-11-10 - 1924-11-10
Summary:

Reveille,' a story of war and its aftermath of a month in 1918 and a month in 1923.

13
Newspaper Source: South China Morning Post
Publication Date: 1924-11-11 - 1924-11-13
Summary:

The Coronet: Today till Friday, all British programme with Betty Balfour in 'Squibs M. P.' The Star: Today till Friday, all British programme including 'Reveille.' Prices: 5.30 p.m., $1.00 and 60 cents; 9.15 p.m., $1.50 and $1.00.

14
Headline: The Star
Newspaper Source: South China Morning Post
Publication Date: 1924-11-11 - 1924-11-11
Summary:

British Film Week starts today with 'Squibs M. P.' at the Coronet, and world's premier performance of 'Reveille' at the Star.

15
Newspaper Source: South China Morning Post
Publication Date: 1924-11-13
Summary:

It is a somewhat bold and sweeping statement to make to suggest that 'Reveille,' a picture which the Hongkong Amusements Ltd., rightly claim it is proud to show at the Star Theatre, is the equal if not the superior of any Cenotaph ceremony. And yet, the Cenotaph is not once shown in…

16
Newspaper Source: South China Morning Post
Publication Date: 1924-11-14 - 1924-11-14
Summary:

The Coronet: Today only, all British programme with Betty Balfour in 'Squibs M. P.' The Star: Today only, all British programme including 'Reveille.' Prices: 5.30 p.m., $1.00 and 60 cents; 9.15 p.m., $1.50 and $1.00.

17
Headline: The Star
Newspaper Source: South China Morning Post
Publication Date: 1924-11-14 - 1924-11-14
Summary:

For the last time! Today at 5.30 and 9.15, the all British masterpiece, 'Reveille' with Betty Balfour. Special prologue. Special music.

18
Newspaper Source: South China Morning Post
Publication Date: 1924-11-29 - 1924-11-29
Summary:

The Coronet: Today at 2.30, 5.15, 7.15 and 9.15, tomorrow at 6 and 9.15, Douglas Fairbanks in 'The Thief of Bagdad.' Prices $2 and $1. The Star: Today only at 5.30 and 9.15 p.m., 'Beau Revel.' Tomorrow at 6 and 9.15, Rudolph Valentino in 'Moran of the Lady Letty.'…

19
Newspaper Source: South China Morning Post
Publication Date: 1924-12-01
Summary:

Cinema patrons have nothing to grumble at the fare recently, and now, provided for them, particularly at the Coronet and Star Theatres. At the former, we have Douglas Fairbanks probably the most popular of all male screen artists. At the Star, we have Rudolph Valentino who is rapidly coming to…

20
Newspaper Source: South China Morning Post
Publication Date: 1925-01-12 - 1925-01-12
Summary:

We ask you to consider Douglas Fairbanks, Mary Pickford, D. W. Griffith and Charlie Chaplin, the four greatest names in the film world, whose pictures are released under the name of United Artists' Film Corporation. Even the most prejudiced observer has to admit that their productions are…