A History Of Film Exhibition And Reception In Colonial Hong Kong: 1897 To 1925
Displaying 1 - 6 of 6
1
Newspaper Source: South China Morning Post
Publication Date: 1924-12-01
Summary:

Cinema patrons have nothing to grumble at the fare recently, and now, provided for them, particularly at the Coronet and Star Theatres. At the former, we have Douglas Fairbanks probably the most popular of all male screen artists. At the Star, we have Rudolph Valentino who is rapidly coming to…

2
Headline: The Coronet
Newspaper Source: Hong Kong Telegraph
Publication Date: 1924-12-08 - 1924-12-19
Summary:

December 8 & 10 Remarks: In response to numerous requests, we have cabled to United Artists for permission to screen 'The Thief of Bagdad' for two more days on its return from Canton on Dec. 18th & 19th December 18-19 Remarks: It cost $3,000,000 and it took 18 months to make…

3
Newspaper Source: South China Morning Post
Publication Date: 1924-12-08 - 1924-12-08
Summary:

In response to numerous requests, we have cabled to United Artists for permission to screen, 'The Thief of Bagdad' for two more days on its return from Canton. Announcement will be made in this paper when we receive their reply.

4
Headline: The Coronet
Newspaper Source: The China Mail
Publication Date: 1924-12-08 - 1924-12-19
Summary:

By special arrangement with United Artists, 'The Thief of Bagdad' will be shown again for two days, Thursday and Friday, December 18th and 19th.

5
Newspaper Source: South China Morning Post
Publication Date: 1924-12-10 - 1924-12-10
Summary:

By special arrangement with United Artists, 'The Thief of Bagdad' will be shown again for two days. Thursday and Friday, December 18th and 19th.

6
Newspaper Source: South China Morning Post
Publication Date: 1925-01-12 - 1925-01-12
Summary:

We ask you to consider Douglas Fairbanks, Mary Pickford, D. W. Griffith and Charlie Chaplin, the four greatest names in the film world, whose pictures are released under the name of United Artists' Film Corporation. Even the most prejudiced observer has to admit that their productions are…