Marie Prevost, late of Mack Sennett's 'Bathing Beauties' and now a star in her own right, appears at the Star for the last time tonight in 'Don't Get Personal.' An announcement that will give universal satisfaction is that the inimitable 'Charlie' – there…
The inimitable Charlie made his re-appearance in Hongkong last night. 'The Pilgrim,' Chaplin's present fun vehicle, is every whit as diverting as its long succession of predecessors. Charlie Chaplin retains his own style, despite all efforts of others to out-do him. It only needs…
The Pilgrim,' another picture: but with Charlie Chaplin in the leading role. That is the reason that the house in Kowloon has been playing to record capacity for the last few days.
Milton Sills is a strong draw at the Star in 'The Faith Healer.' Mr. Sill is seen in Hongkong only too rarely, as he is one of the finest cinema actors. Tomorrow, Griffith's master-picture, 'One Exciting Night' is due. This, of course, is the film in which Griffith…
The Star tonight is showing Griffith's mystery film, 'One Exciting Night,' which although strictly in the Griffith style as regards bigness of production, has a plot very much different from the usual run of his pictures. Carol Dempster is the heroine, and the typical thrill is…
Griffith's mystery film, 'One Exciting Night,' shows at the Star again tonight. It would be unfair to give away anything of the plot because the last scene comes as such a complete surprise to the audience. Suffice it to say that the plot is not at all on the usual Griffith order…
Ethel Clayton, Paramount star, displays not only marked emotional talent as an actress, but also proves a delightful dancer in her latest big picture, 'A City Sparrow,' which opens at the Star Theatre this evening. Film synopsis included. The story is one of the sweetest ever told and…
Ethel Clayton's excellent Paramount film, 'A City Sparrow,' will be screened in that Star Theatre for the last time this evening. The story, which is woven around the life of a vaudeville dancer, provides some charming contrasts in pathos and humour. Ethel Clayton is supported by…