The Devil to Pay.'

He double crossed his friends and there was 'The Devil to Pay.'

For the sins you do, you pay for one by one; there is always 'The Devil to Pay.'

The world, the flesh and 'The Devil to Pay.'

He who plays with fire has 'The Devil to Pay.'

One of the most gripping stories even thrown upon the screen, see Joseph Dowling, Robert McKim, Roy Stewart and Fritzi Brunette in 'The Devil to Pay.'

Tonight till Sunday, Roy Stewart, Robert McKim, Joseph Dowling, George Fisher and Fritzi Brunette in 'The Devil to Pay.'

The Coronet: 2.30, 5.15, 7.15 and 9.15, 'The Devil to Pay.' Kowloon Theatre: Today at 5.15 and 9.15, 'The Jungle Goddess' and ‘Snub' Pollard in 'Save Your Money.'

The Coronet: Tonight till Sunday, a Robert Brunton production, 'The Devil to Pay.' Illustration included. Kowloon Theatre: Tonight and Saturday, captivating Connie in 'Two Weeks.'

The Coronet: 2.30, 5.15, 7.15 and 9.15, 'The Devil to Pay.' Kowloon Theatre: Constance Talmadge in 'Two Weeks' and ‘Snub' Pollard in 'The Corner Pocket.'

The Coronet: 2.30, 5.15, 7.15 and 9.15, 'The Devil to Pay.' Kowloon Theatre: Constance Talmadge in 'Two Weeks.' Sunday and Monday, 'The Kingdom of Youth.'

The Coronet: 'The Woman in His House,' a First National attraction. Kowloon Theatre: Today for one day only, Anita Stewart in 'The Fighting Shepherdess.' Tomorrow, 'The Devil to Pay.'

The Coronet: 2.30, 5.15, 7.15 and 9.15 p.m., 'The Forbidden Thing' and Harold Lloyd in 'Bliss.' Kowloon Theatre: Tonight at 9.15 p.m., 'The Devil to Pay.'

Sinister shadows, creaking stairs, a hand on the doorknob, a terrified girl! Edgar Allan Poe might have written 'Conflict.'

A pampered society bud against the great north woods! Man against man! Woman against woman! Man against the elements! That's 'Conflict.'

A mad race with the flood, daredevil leaping from log to log. See Priscilla Dean in her breath-taking rescue scene in 'Conflict.'

Hundreds of husky lumberjacks in fierce combat, battling for timber rights. A wide-eyed beauty, cheering the men of her sweetheart's faction. That's one of the thrills in 'Conflict.'

Fresh from the gaiety of Broadway into the musty, murky horror of her half-crazed uncle's haunted castle. Such is the terror which faces Dorcas Remalie, the heroine of 'Conflict.'

A maid, a man and the might of the elements. An ill-fated recluse, a hate-soured hag, and all the terrors of the forest. These are to be found in 'Conflict.'

The greatest thrill on the screen, a north woods log-jam. Roaring waters, tumbling logs, struggling humans and a fearless girl, daring the avalanche of debris for the life of her sweetheart. The last word in screen suspense is 'Conflict.'