A History Of Film Exhibition And Reception In Colonial Hong Kong: 1897 To 1925
Displaying 101 - 111 of 111
101
Headline: The Coronet
Newspaper Source: South China Morning Post
Publication Date: 1925-02-10 - 1925-02-10
Summary:

Looking back over all the big spectacular pictures we have shown at the Coronet and not forgetting 'Hearts of the World,' 'My Four Years in Germany,' 'Intolerance,' 'Man-Woman-Marriage,' 'Orphans of the Storm,' 'The Four Horsemen,'…

102
Headline: Queen's Theatre: Chaney Adds Two to His Thousand Faces
Newspaper Source: South China Morning Post
Publication Date: 1925-02-27
Summary:

Lon Chaney, the star of 'The Hunchback of Notre Dame,' is at his best in the Goldwyn melodrama, 'A Blind Bargain,' which will be the attraction at the Queen's Theatre for four days, commencing today. In this picture, he adds two faces to the thousand he has previously…

103
Headline: South China Morning Post Advertisement 1925-04-21
Newspaper Source: South China Morning Post
Publication Date: 1925-04-21 - 1925-04-21
Summary:

Read what the proprietor of your home town cinema had to say about 'The Hunchback of Notre Dame' which will soon be seen again at the Coronet.

104
Headline: At the Coronet
Newspaper Source: South China Morning Post
Publication Date: 1925-05-20 - 1925-05-20
Summary:

Tomorrow at 2.30, 6.30 and 9.15, Lon Chaney in 'The Hunchback of Notre Dame.'

105
Headline: The Coronet
Newspaper Source: South China Morning Post
Publication Date: 1925-05-20 - 1925-05-20
Summary:

Today at 2.30, 5.15, 7.15 and 9.15, Corinne Griffith and Conway Tearle in 'Black Oxen,' a First National picture, adapted from Gertrude Atherton's latest and most successful novel. Tomorrow at 2.30, 6.30 and 9.15 p.m., Lon Chaney in 'The Hunchback of Notre Dame.'

106
Headline: The Coronet: 'The Hunchback of Notre Dame' - Lon Chaney's Role Last Word in Stage Art
Newspaper Source: South China Morning Post
Publication Date: 1925-05-20
Summary:

Lon Chaney, whose work as the fake cripple in 'The Miracle Man' stands out as a bit of remarkable acting, to say nothing of his other impersonations, has added another characterization to his long list in his appearance as 'Quasimodo' and 'Oliver Twist.' 'The…

107
Headline: At the Coronet
Newspaper Source: South China Morning Post
Publication Date: 1925-05-21 - 1925-05-25
Summary:

Today at 2.30, 6.30 and 9.15, Lon Chaney in 'The Hunchback of Notre Dame,' presented by Carl Laemmle, a Universal picture. Illustration included.

108
Headline: The Coronet
Newspaper Source: South China Morning Post
Publication Date: 1925-05-26 - 1925-05-26
Summary:

Today only at 2.30, 6.30 and 9.15, Lon Chaney in 'The Hunchback of Notre Dame.' Tomorrow till Sunday, D. W. Griffith will present 'The White Rose,' featuring Mae Marsh, Carol Dempster and Ivor Novello. Times of performances, 2.30, 5.00, 7.15 and 9.30.

109
Headline: Queen's Theatre: Lon Chaney in 'The Night Rose'
Newspaper Source: South China Morning Post
Publication Date: 1925-06-20
Summary:

The Night Rose,' a new Goldwyn melodrama from the pen of the famous novelist, Leroy Scott, will be shown at the Queen's Theatre today. Lon Chaney, who will be remembered for his remarkable characterization of a legless thug in the Goldwyn production of 'The Penalty' and…

110
Headline: Queen's Theatre
Newspaper Source: South China Morning Post
Publication Date: 1925-06-23 - 1925-06-23
Summary:

Last performances today at 2.30, 5.15, 7.15 and 9.15 p.m., Lon Chaney, the star of 'The Hunchback of Notre Dame,' in his latest picture 'The Night Rose,' a Goldwyn picture. Tomorrow Wednesday at all shows, Anita Stewart in 'A Question of Honor,' a First National…

111
Headline: The Cinema: Twenty-Five Years Development - A Clerical Survey
Newspaper Source: South China Morning Post
Publication Date: 1925-12-07
Summary:

The following is from St. John Cathedral Notes: We had decided to make a reply to Professor Forster's criticisms of the cinema before we had read them. It must be admitted that the cinema gives us a stock of outrageous unreality. The dollar, moreover, is represented in most film stories as…